Taylor Swift debuts FOUR new Eras Tour outfits during star-studded concert in Miami


Taylor Swift debuted four, new outfits during her Eras Tour concert in Miami, Florida on Friday.

To the excitement of around 61,000 concertgoers at the Hard Rock Stadium, the superstar, 34, kicked off the final leg of her blockbuster world tour with exciting, new costume changes.

Eliciting energized cheers from the audience, she showcased four never-before-seen, captivating looks for her Fearless, Reputation and acoustic sets as well as her performance of Anti-Hero.

While performing her hits from Fearless, she modeled a sparkling, silver minidress with a sweetheart neckline, iridescent sequins that shifted between blue and gold as well as flowing fringe, which fluttered against her body as she danced in the wind and rain. 

In previous shows, she sported a fan-favorite, metallic gold minidress with layered tasseled details that twinkled as she performed.

However, this time, she stepped out in an entirely new dress. 

Teamed with it, she sported matching, sequin-covered riding boots and, at one point, pulled out her rhinestone-covered guitar as she stunned both vocally and in her silver garb.

For her surprise song set, Swift took the stage in a sleeveless red and teal ombré dress. 

The glamorous garment featured a waterfall silhouette that cascaded down her body while she performed a mashup of Tim McGraw from her debut album and Timeless from Speak Now.

And for her Reputation set, she changed into a brand new bodysuit with gold snakes rather than her usual red costume.

She slipped into a figure-hugging, black jumpsuit with an asymmetrical sleeve and a single pant-leg similar to her previous costume.

In lieu of the scarlet red snakes, which matched her Reputation set microphone, the jumpsuit was ornate with lustrous gold serpents wrapped around her body.

To close out the star-studded songfest, she debuted a new, lavender shirt dress covered in dazzling, intricate beading while performing Anti-Hero from her Midnights set. 

While performing her hits from Fearless, she modeled a sparkling, silver minidress with a sweetheart neckline, iridescent sequins that shifted between blue and gold as well as flowing fringe, which fluttered against her body as she danced in the wind and rain

While performing her hits from Fearless, she modeled a sparkling, silver minidress with a sweetheart neckline, iridescent sequins that shifted between blue and gold as well as flowing fringe, which fluttered against her body as she danced in the wind and rain

In previous shows, she sported a fan-favorite, metallic gold minidress with layered tasseled details that twinkled as she performed. However, this time, she stepped out in an entirely new dress

In previous shows, she sported a fan-favorite, metallic gold minidress with layered tasseled details that twinkled as she performed. However, this time, she stepped out in an entirely new dress

Teamed with it, she sported matching, sequin-covered riding boots and, at one point, pulled out her rhinestone-covered guitar as she stunned both vocally and in her silver garb

Teamed with it, she sported matching, sequin-covered riding boots and, at one point, pulled out her rhinestone-covered guitar as she stunned both vocally and in her silver garb

For her acoustic set, Swift took the stage in a sleeveless red and teal ombré dress with a waterfall silhouette that cascaded down her body to perform a mashup of Tim McGraw from her debut album and Timeless from Speak Now

For her acoustic set, Swift took the stage in a sleeveless red and teal ombré dress with a waterfall silhouette that cascaded down her body to perform a mashup of Tim McGraw from her debut album and Timeless from Speak Now

For Reputation, she slipped into a figure-hugging, black jumpsuit with an asymmetrical sleeve and a single pant-leg similar to her previous costume

For Reputation, she slipped into a figure-hugging, black jumpsuit with an asymmetrical sleeve and a single pant-leg similar to her previous costume

In lieu of the scarlet red snakes, which matched her Reputation set microphone, the jumpsuit was ornate with lustrous gold serpents wrapped around her body

In lieu of the scarlet red snakes, which matched her Reputation set microphone, the jumpsuit was ornate with lustrous gold serpents wrapped around her body

Before the Miami concert on Friday, her Reputation costume was a black jumpsuit but with red snake-like patterns embroidered on the fabric; pictured in August at Wembley Stadium in London

Before the Miami concert on Friday, her Reputation costume was a black jumpsuit but with red snake-like patterns embroidered on the fabric; pictured in August at Wembley Stadium in London

As for the rest of her looks at her first Miami show, she opened with her orange-red, sequin-covered leotard with matching, knee-high boots.

For a cohesive, monochromatic look, she carried a microphone, which was bedazzled in dark purple and orange jewels and sported a yellow gold chain necklace to top it all off. 

Later on, for her 1989 set, she changed into another head-to-toe sequined look featuring a neon orange crop top paired with an emerald green circle skirt and yellow gold boots. 

While performing Red, she pulled out her all-black, bejeweled acoustic guitar, which matched her outfit, which featured crimson jewels. 

While performing We Are Never Ever Getting Back Together, she threw on a T-shirt that read: ‘Lots going on at the moment.’ 

For The Tortured Poets Department set, she was joined by Florence Welch of Florence & The Machine for Florida!!!.

She wore the same white gown with her lyrics on the voluminous high-low skirt for that segment of her hours-long show. 

I Can Do It With a Broken Heart’s look was her all-white, silver sequined ensemble. 

As for the rest of her looks at her first Miami show, she opened with her orange-red, sequin-covered leotard with matching, knee-high boots

As for the rest of her looks at her first Miami show, she opened with her orange-red, sequin-covered leotard with matching, knee-high boots

For a cohesive, monochromatic look, she carried a microphone, which was bedazzled in dark purple and orange jewels and sported a yellow gold chain necklace to top it all off

For a cohesive, monochromatic look, she carried a microphone, which was bedazzled in dark purple and orange jewels and sported a yellow gold chain necklace to top it all off

Later on, for her 1989 set, she changed into another head-to-toe sequined look featuring a neon orange crop top paired with an emerald green circle skirt and yellow gold boots

Later on, for her 1989 set, she changed into another head-to-toe sequined look featuring a neon orange crop top paired with an emerald green circle skirt and yellow gold boots

While performing Red, she pulled out her all-black, bejeweled acoustic guitar, which matched her outfit, which featured crimson jewels

While performing Red, she pulled out her all-black, bejeweled acoustic guitar, which matched her outfit, which featured crimson jewels 

While performing We Are Never Ever Getting Back Together, she threw on a T-shirt that read: 'Lots going on at the moment'

While performing We Are Never Ever Getting Back Together, she threw on a T-shirt that read: ‘Lots going on at the moment’

For The Tortured Poets Department set, she was joined by Florence Welch of Florence & The Machine for Florida!!! She wore the same white gown with  her lyrics on the voluminous high-low skirt for that segment of her hours-long show

For The Tortured Poets Department set, she was joined by Florence Welch of Florence & The Machine for Florida!!! She wore the same white gown with  her lyrics on the voluminous high-low skirt for that segment of her hours-long show

And she put on her all-white band jacket for The Smallest Man Who Ever Lived

And she put on her all-white band jacket for The Smallest Man Who Ever Lived

I Can Do It With a Broken Heart's look was her all-white, silver sequined ensemble

I Can Do It With a Broken Heart’s look was her all-white, silver sequined ensemble

For Speak Now, she looked ethereal in a pale purple gown with twinkling beading and intricate embroidery along the flowing, floor-sweeping skirt

For Speak Now, she looked ethereal in a pale purple gown with twinkling beading and intricate embroidery along the flowing, floor-sweeping skirt

For her Folklore set, she modeled a bright red dress with soft and flowing fabric

For her Folklore set, she modeled a bright red dress with soft and flowing fabric

The superstar closed out her show in a sapphire blue look with swaying fringe and imagery of crescent moons and twinkling stars

The superstar closed out her show in a sapphire blue look with swaying fringe and imagery of crescent moons and twinkling stars

At the very end, she threw on a magenta tinsel jacket

At the very end, she threw on a magenta tinsel jacket

For Speak Now, she looked ethereal in a pale purple gown with twinkling beading and intricate embroidery along the flowing, floor-sweeping skirt.

For her Folklore set, she modeled a bright red dress with soft and flowing fabric. 

The superstar closed out her show in a sapphire blue look with swaying fringe and imagery of crescent moons and twinkling stars. 

At the very end, she threw on a magenta tinsel jacket. 

While performing to the star-studded, sold-out crowd, she looked enchanting sporting her signature bold red lip and her classic winged eyeliner. 

The 14-time Grammy winner, who brought along her cat to the concert venue ahead of her show, performed with the family of her boyfriend Travis Kelce in the audience but not the Kansas City Chiefs star himself. 

While he prepares for Sunday’s game in San Francisco, the football player’s mother, Donna Kelce, and his brother, Jason Kelce, stood in for him to support Swift. 

The Bad Blood hitmaker has 17 more shows before she wraps up her Eras Tour.

She has two more concerts in Miami this weekend.

In December, she will wrap up her record-breaking, international tour in Vancouver, Canada.



Source link